Course:

Licenciatura em Música

Profile(s):

Jazz

Branch(es):

Contact Hours per Semester:

30

Scientific area:

MUS

Curricular year:

1

Semesterly/Yearly:

Semestral

Option:

[""]

ECTS:

2

Type (1):

P

Teacher responsible for the Curricular Unit:

Ricardo Pinheiro

Time allocation for the C.U.:

30

Other teachers and time allocation for the C.U:

Learning Outcomes (knowledge, aptitudes and skills to be developed by the students)

Gen. Objectives: Study the historical and cultural contexts that frame the several periods of jazz history since the end of the 1940’s. Study the musicians and key personalities of each of these periods, understanding their contribute to jazz history. Specific Objectives: Analyze the main musical, performative and aesthetic features of each one of these periods of jazz history. Research and present a research paper. Competences: Distinguish the key musical, aesthetic, performative, cultural and social elements that relate to several styles of jazz since the 1940’s. Understand how jazz is the product of the mixing of several aspects of geographically and culturally diverse musics, and how it is a way of artistic expression that reflects musically cultural and aesthetical diversities.

Syllabus:

a) The Bebop era - cont. b) Jazz in the 1950’s i) Cool Jazz ii) Third Stream and Modal Jazz iii) Hard-Bop iv) Miles Davis in the 1950’s his first great quintet c) Jazz in the 1960’s i) Main political and social contexts in the U.S.A. in the 1960’s ii) Free Jazz and Avant-Garde: Ornette Coleman and John Coltrane iii) Mainstream jazz in the 1960’s: post-hardbop iv) Miles Davis’ second great quintet d) Fusion jazz i) Jazz Rock: Miles Davis, Herbie Hancock, Chick Corea, Weather Report, John Scofield ii) World Music and Latin Jazz iii) Pop-Fusion iv) European jazz e) Jazz in the 1980’s i) New traditionalists (Young Lions) ii) Post-Contraneans f) Jazz in the 21st century i) The diversity of contemporary jazz and its international outreach

Demonstration of the Articulation of the Programme Contents with the Objectives of the C.U.

The syllabus covers the transformations of jazz History, since the end of the 1940’s, and offers a chain of diachronic and interdisciplinary contents, susceptible to become critically explored around the relationships that unite Music to other arts and cultural domains.

Teaching and Evaluation Methods:

The teaching methodology is based on systematic and organized presentation of information through questioning, critical analysis and research suggested by the teacher, complemented with its study and discussion, and with guidance and supervision of the knowledge and skills acquisition process, as specified in the C.U. objectives - The evaluation process is based on observation of the quality of participation in the activities developed during the course, including presentations and discussion of assignments, other tests or exams, verifying the level of the acquired knowledge and skills as specified in the C.U. objectives

Demonstration of the Articulation of the Teaching Methodologies with the Learning Objectives of the C.U.:

The teaching of the study unit implies the narration of the theoretical subjects, founded on the bibliography and accompanied with the listening of characteristic musical examples. Hand in hand with the above methodology, students are encouraged to research and think via critical analysis and observation of documents, such as texts, musical, iconographic, and other sources. The outcome of this work will be presented in the classes, thus enhancing the interchanging of ideas and the intertwining of perspectives.

Bibliography:

Autor(es): Gridley, Mark Titulo: Jazz Styles: History and Analysis Edição: 11a Local: Englewood Ano: 2011 Editora: Prentice Hall Autor(es): Martin, Henry and Waters, Keith Titulo: Jazz: The First 100 Years Edição: 3a Local: Belmont, CA Ano: 2011 Editora: Schirmer Autor(es): Gioia, Ted Titulo: The History of Jazz Edição: 2a Local: New York Ano: 2011 Editora: Oxford University Press Autor(es): Kernfeld, Barry (ed.) Titulo: The New Grove Dictionary of Jazz Edição: 2a Local: London Ano: 2004 Editora: MacMillan Autor(es): Sadie, Standley, ed Titulo: New Grove Dictionary of Music and Musicians Edição: Rep Sub Local: London Ano: 1995 Editora: Macmillan